Terra Nostra Spanish Edition Book PDF, EPUB Download & Read Online Free

Terra Nostra
Author: Carlos Fuentes
Publisher: Dalkey Archive Press
ISBN: 1564782875
Pages: 785
Year: 2003
View: 591
Read: 671
"Terra Nostra is the spreading out of the novel, the exploration of its possibilities, the voyage to the edge of what only a novelist can see and say."—Milan Kundera
Terra Nostra
Author: Carlos Fuentes
Publisher: Farrar, Straus and Giroux
ISBN: 1466840153
Pages: 785
Year: 2013-05-14
View: 501
Read: 183
Terra Nostra is one of the great masterpieces of modern Latin American fiction. Concerned with nothing less than the history of Spain and of South America, with the Indian Gods and with Christianity, with the birth, the passion, and the death of civilizations, Fuentes's great novel is, indeed, that rare creation--the total work of art. Magnificently translated by Margaret Sayers Peden, Terra Nostra is, as Milan Kundera says in his afterword, "the spreading out of the novel, the exploration of its possibilities, the voyage to the edge of what only a novelist can see and say."
Terra nostra
Author:
Publisher:
ISBN:
Pages: 143
Year: 1990
View: 168
Read: 1038

Fuentes, Terra Nostra, and the Reconfiguration of Latin American Culture
Author: Michael Abeyta
Publisher: University of Missouri Press
ISBN: 0826265111
Pages: 184
Year: 2006
View: 969
Read: 375
"Grounding his study on the work of Derrida and Bataille, Abeyta focuses on the theme of the gift in Carlos Fuentes's Terra Nostra. Analyzing how gift giving, excess, expenditure, sacrifice, and exchange shape the novel, he reveals its relevance to current discussions about the relationship between art and the gift"--Provided by publisher.
The Crystal Frontier
Author: Carlos Fuentes
Publisher: A&C Black
ISBN: 1408837498
Pages: 266
Year: 2012-08-16
View: 1267
Read: 726
Young Jose Francisco grows up in Texas, determined to write about the border world - the immigrants and illegals, Mexican poverty and Yankee prosperity - stories to break the stand-off silence with a victory shout, to shatter at last the crystal frontier.
The Good Conscience
Author: Carlos Fuentes
Publisher: Farrar, Straus and Giroux
ISBN: 1466840129
Pages: 148
Year: 2013-05-14
View: 488
Read: 702
The Good Conscience is Carlos Fuentes's second novel. The scene is Guanajuato, a provincial capital in Central Mexico, once one of the world's richest mining centers. The Ceballos family has been reinstated to power, and adolescent Jaime Ceballos, its only heir, is torn between the practical reality of his family's life and the idealism of his youth and his Catholic education. His father is a good man but weak; his uncle is powerful, yet his actions are inconsistent with his professed beliefs. Jaime's struggle to emerge as a man with a "good conscience" forms the theme of the book: can a rebel correct the evils of an established system and at the same time retain the integrity of his principles?
The Orange Tree
Author: Carlos Fuentes
Publisher: Macmillan
ISBN: 0374226830
Pages: 229
Year: 1994
View: 1205
Read: 304
In five new novellas, the author presents an ingenious and passionate reconstruction of history, past and present
Christopher Unborn
Author: Carlos Fuentes, Alfred MacAdam
Publisher: Dalkey Archive Press
ISBN: 1564783391
Pages: 531
Year: 2005-10-01
View: 1025
Read: 1285
Mexico, 1991: Black acid rain falls on "Makesicko City", the most polluted, most populated city in the world. Amid this apocalyptic landscape a prize is being offered to the first child born on the 500th anniversary of Columbus' discovery of America. That child is the narrator of this passionate, savage novel by one of the world's preeminent writers.
The Old Gringo
Author: Carlos Fuentes
Publisher: Farrar, Straus and Giroux
ISBN: 1466840145
Pages: 208
Year: 2013-05-14
View: 408
Read: 612
In The Old Gringo, Carlos Fuentes brings the Mexico of 1916 uncannily to life. This novel is wise book, full of toughness and humanity and is without question one of the finest works of modern Latin American fiction. One of Fuentes's greatest works, the novel tells the story of Ambrose Bierce, the American writer, soldier, and journalist, and of his last mysterious days in Mexico living among Pancho Villa's soldiers, particularly his encounter with General Tomas Arroyo. In the end, the incompatibility of the two countries (or, paradoxically, their intimacy) claims both men, in a novel that is, most of all, about the tragic history of two cultures in conflict.
The Sound of Things Falling
Author: Juan Gabriel Vásquez
Publisher: Penguin
ISBN: 1101605383
Pages: 320
Year: 2013-08-01
View: 674
Read: 452
* National Bestseller and winner of the 2014 International IMPAC Dublin Literary Award * Hailed by Edmund White as "a brilliant new novel" on the cover of the New York Times Book Review * Lauded by Jonathan Franzen, E. L. Doctorow and many others From a global literary star comes a prize-winning tour de force – an intimate portrayal of the drug wars in Colombia. Juan Gabriel Vásquez has been hailed not only as one of South America’s greatest literary stars, but also as one of the most acclaimed writers of his generation. In this gorgeously wrought, award-winning novel, Vásquez confronts the history of his home country, Colombia. In the city of Bogotá, Antonio Yammara reads an article about a hippo that had escaped from a derelict zoo once owned by legendary Colombian drug kingpin Pablo Escobar. The article transports Antonio back to when the war between Escobar’s Medellín cartel and government forces played out violently in Colombia’s streets and in the skies above. Back then, Antonio witnessed a friend’s murder, an event that haunts him still. As he investigates, he discovers the many ways in which his own life and his friend’s family have been shaped by his country’s recent violent past. His journey leads him all the way back to the 1960s and a world on the brink of change: a time before narco-trafficking trapped a whole generation in a living nightmare. Vásquez is “one of the most original new voices of Latin American literature,” according to Nobel Prize winner Mario Vargas Llosa, and The Sound of Things Falling is his most personal, most contemporary novel to date, a masterpiece that takes his writing—and will take his literary star—even higher.
Vlad
Author: Carlos Fuentes
Publisher: Dalkey Archive Press
ISBN: 156478780X
Pages: 112
Year: 2012-07-18
View: 334
Read: 1260
Where, Carlos Fuentes asks, is a modern-day vampire to roost? Why not Mexico City, populated by ten million blood sausages (that is, people), and a police force who won’t mind a few disappearances? “Vlad” is Vlad the Impaler, of course, whose mythic cruelty was an inspiration for Bram Stoker’s Dracula. In this sly sequel, Vlad really is undead: dispossessed after centuries of mayhem by Eastern European wars and rampant blood shortages. More than a postmodern riff on “the vampire craze,” Vlad is also an anatomy of the Mexican bourgeoisie, as well as our culture’s ways of dealing with death. For—as in Dracula—Vlad has need of both a lawyer and a real-estate agent in order to establish his new kingdom, and Yves Navarro and his wife Asunción fit the bill nicely. Having recently lost a son, might they not welcome the chance to see their remaining child live forever? More importantly, are the pleasures of middle-class life enough to keep one from joining the legions of the damned?
Burnt Water
Author: Carlos Fuentes
Publisher: Macmillan
ISBN: 0374117411
Pages: 231
Year: 1980-01-01
View: 693
Read: 492

The Buried Mirror
Author: Carlos Fuentes
Publisher: Houghton Mifflin Harcourt
ISBN: 0395924995
Pages: 399
Year: 1999-01
View: 703
Read: 996
An exploration of Spanish culture in Spain and the Americas traces the social, political, and economic forces that created that culture
Music in Latin America and the Caribbean: An Encyclopedic History
Author: Malena Kuss
Publisher: University of Texas Press
ISBN: 0292788401
Pages: 448
Year: 2010-07-05
View: 252
Read: 1102
The music of the peoples of South and Central America, Mexico, and the Caribbean has never received a comprehensive treatment in English until this multi-volume work. Taking a sociocultural and human-centered approach, Music in Latin America and the Caribbean gathers the best scholarship from writers all over the world to cover in depth the musical legacies of indigenous peoples, creoles, African descendants, Iberian colonizers, and other immigrant groups that met and mixed in the New World. Within a history marked by cultural encounters and dislocations, music emerges as the powerful tool that negotiates identities, enacts resistance, performs belief, and challenges received aesthetics. This work, more than two decades in the making, was conceived as part of "The Universe of Music: A History" project, initiated by and developed in cooperation with the International Music Council, with the goals of empowering Latin Americans and Caribbeans to shape their own musical history and emphasizing the role that music plays in human life. The four volumes that constitute this work are structured as parts of a single conception and gather 150 contributions by more than 100 distinguished scholars representing 36 countries. Volume 1, Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico, focuses on the inextricable relationships between worldviews and musical experience in the current practices of indigenous groups. Worldviews are built into, among other things, how music is organized and performed, how musical instruments are constructed and when they are played, choreographic formations, the structure of songs, the assignment of gender to instruments, and ritual patterns. Two CDs with 44 recorded examples illustrate the contributions to this rich volume.
Reclaiming the Author
Author: Lucille Kerr
Publisher: Durham : Duke University Press
ISBN:
Pages: 228
Year: 1992
View: 1201
Read: 333
The recent fiction of Spanish America has been widely acclaimed for its experimental and revolutionary qualities. In Reclaiming the Author, Lucille Kerr studies the sources of power of this newly emergent literature in her detailed examination of the critical concept of "the author." Kerr considers how Spanish American narratives raise questions about authorial identity and activity through the different figures of the author they propose. These author-figures, she maintains, both complement and contradict notions of authority that exist outside of the world of fiction. By focusing on works by well-known Spanish American authors—Cortazar, Donoso, Fuentes, Poniatowska, Puig, and Vargas Llosa—Kerr shows how the Spanish Americans have formed a radical poetics of the author. Her readings demonstrate how exemplary Spanish American texts, such as Rayuela, Terra nostra, and El hablador, call into question the author as a unitary or uniform, and therefore unproblematical, figure. Individually and together, Kerr's readings reclaim "the author" as a complex critical concept encompassing diverse, conflicting, even competitive roles. Scholars in contemporary literature and theory, in particular those involved with Spanish American literature, will find Reclaiming the Author an original and compelling book.